Experience the Early Music Tradition
Step into the world of historically informed performances in Amsterdam. Discover the magic of harpsichord, fortepiano, and organ concerts. Journey through time with music that resonates with the beauty of the past.
Explore our upcoming events and immerse yourself in the richness of early music. The Netherlands is a hotspot of the early music performers, instruments, and ensembles.
We connect audiences with Amsterdam’s culturally rich early music culture.
Frequently Asked Questions
What is Historically Informed Performance?
Historically informed performance is about playing music the way it was originally intended to be heard. Musicians use period instruments and techniques to capture the authentic sound of the time. This approach often involves a lot of research into how music was played in different eras. It gives audiences a chance to experience music as it might have sounded centuries ago.
What is the connection between The Netherlands and Early Music?
The Low Countries has a rich tradition of harpsichord and fortepiano music, highlighted by renowned builders like the Ruckers family (Antwerpen). Flemish craftsmanship in these instruments contributed to their international reputation for quality and sound. The country’s appreciation for early music is reflected in its festivals and dedicated performers. This historical and cultural connection has kept the appreciation for harpsichord and fortepiano music alive in the Netherlands.
What is early music?
Early music is the term for Western music from the Medieval, Renaissance, and Baroque periods. It features unique instruments like the lute and harpsichord that you don’t see much today. The music often has a distinct, old-world sound with lots of intricate, interwoven melodies. People who perform early music often use historical instruments to recreate the authentic sound.
What is the difference between modern piano, fortepiano, and harpsichord?
The modern piano, fortepiano, and harpsichord differ mainly in their construction and sound. The modern piano, with its heavy metal frame and felt-covered hammers, produces a wide dynamic range and sustained tones, making it versatile for various musical styles. The fortepiano, used during the Classical period, has a lighter wooden frame and leather-covered hammers, offering a lighter, more immediate sound with less sustain compared to the modern piano. Its dynamic range is narrower, but it provides a clearer articulation.
The harpsichord, popular in the Baroque era, operates on a different mechanism where strings are plucked by quills or plectra, rather than struck by hammers. This gives the harpsichord a bright, crisp sound with little ability to vary dynamics through touch. instead, it relies on various “stops” for different tonal effects. Unlike the fortepiano and modern piano, the harpsichord’s sound decays quickly after the note is played, making it ideal for intricate, fast-paced music that emphasizes clarity and detail.
Why are early music concerts usually not in a large concert hall?
Old music, such as that from the Medieval, Renaissance, and Baroque periods, is typically played in smaller rooms because it was originally composed for intimate settings like royal courts, churches, and private chambers. The instruments used, such as the harpsichord, lute, and early strings, have a softer sound that carries well in smaller spaces but can be lost in a large concert hall. The acoustics of smaller rooms enhance the clarity and detail of the music, allowing listeners to appreciate the intricate melodies and harmonies.
Additionally, the performance practice of early music emphasizes a close connection between musicians and the audience. Smaller rooms facilitate this intimacy, making the listening experience more personal and engaging. The direct interaction between performers and listeners in such settings mirrors the historical context in which this music was first enjoyed, preserving the authentic experience of early music.
What makes early music performance different from other classical performances?
Harpsichord players improvise embellishments because it was a common practice during the Baroque period when this music was composed. Composers often expected performers to add their own ornaments and flourishes to the written music, allowing for personal expression and creativity. This improvisation was considered an essential skill for musicians of that time, enhancing the music’s expressiveness and dynamism.
Additionally, improvising embellishments helps modern performers capture the authentic sound and spirit of Baroque performances. By adding trills, mordents, and other ornaments, harpsichord players bring the music to life in a way that reflects historical performance practices. This approach not only honors the intentions of the original composers but also provides a richer and more engaging listening experience for contemporary audiences.
I’m new to classical music concerts. What should I be aware of?
Dress Code: While not as strict as it once was, many people still dress semi-formally for classical music concerts. Business casual or smart casual is generally appropriate.
Arrival Time: Arrive at least 15-30 minutes before the concert begins. This gives you time to check your coat, get to your seat, and read the program notes.
Program Notes: These often provide valuable insights about the pieces being performed, the composers, and the performers. Reading them can enhance your appreciation of the music.
Silence is Golden: Classical concerts are usually quiet. Silence your phone and avoid talking or making noise during the performance.
Applause Etiquette: Applaud at the end of the piece. If you're unsure when to clap, wait and follow the lead of more experienced concert-goers.
Staying Seated: It’s customary to stay in your seat until the intermission or the end of the concert. If you must leave, do so between pieces to minimize disruption.